Yep, another aim, AING, aiṃ…(ऐँ) with chandra bindu for extra symbolism. The blue colors are for Saraswatī‘s affiliation with water. The composition focuses on balance without symmetry. Because of the way the glyph was constructed, I sometimes see an auṃ trying to emerge, and it reminds me that they are related. Auṃ being the sun, and aiṃ the moon. The character centered on the bottom is in Telugu script, from Andhra Pradesh; it is the first syllable for the name Jāyapa, my signature for this meditation art, and, a tribute to the man (Jāyapa Sennani) who wrote a comprehensive treatise on classical dance Nritya Ratnavali.

I would like to continue with intertwining the aspect ratio and the various relations of the strokes…